The beatnik look consisted of black or striped shirts, black turtlenecks, skinny black jeans, pencil skirts, capris, lack loafers, berets, and clubmaster or wayfarer sunglasses. So while you may have the perfect greaser outfit, it may not align with what production is looking for. Need more wardrobe inspiration? Which s style do you want to put together a look for? View Results. Skip to main content. Articles Categories Polls. Log In Sign Up adults kids.
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Will Success Spoil Rock Hunter? Vadim, Roger. And God Created Woman , Secondary Sources Also see the 20th-century overview page for more research sources Fashions of a Decade. The s. New York: Facts on File, San Francisco: Chronicle Books, Expanded ed. New York: H. Abrams, Boyer, G. Rebel Style: Cinematic Heroes of the s. New York: Assouline, Breward, Christopher, and Ghislaine Wood, eds.
British Design from Innovation in the Modern Age. Swinging Sixties: Fashion in London and beyond Brown, Susan, ed. New York: DK Publishing, Cole, Daniel James, and Nancy Deihl. The History of Modern Fashion from London: Laurence King Publishing, De La Haye, Amy, ed. Woodstock, NY: Overlook Press, Woodstock: Overlook Press, London Couture British Luxury.
De Pietri, Stephen, and Melissa Leventon. Dorner, Jane. New Rochelle: Arlington House Publishers, Guppy, Alice. Poole: Blandford Press, Harper, Sue. London: British Film Institute, Hill, Colleen. Paris Refashioned, New Haven: Yale University Press, Hill, Daniel Delis.
History of World Costume and Fashion. Lewis, G. Marling, Karal Ann. Cambridge: Harvard University Press, Melinkoff, Ellen. New York: Quill, Mendes, Valerie D.
Fashion since World of Art. Milbank, Caroline Rennolds, and Harold Koda. Fashion: A Timeline in Photographs: to Today. Olian, JoAnne, ed. Dover Books on Fashion. Mineola, NY: Dover Publications, Palmer, Alexandra. Vancouver: UBC Press, Raulet, Sylvie. Jewelry of the s and s. New York: Rizzoli, His cocoon coat is a classic shape that has been returned to in recent years.
Digby Morton jacket and dress. Norman Hartnell, another London couturier, designed her coronation gown in and went on to design many other outfits for the royal as well as London society, and Digby Morton continued his wartime success in producing pared down tailoring inspired by menswear.
America, which had not really celebrated its own designers until the Second World War either but looked to see what Paris was doing, now had a distinct style of its own, following general trends but with its own signature stamp. American designers, like Claire McCardell made clothes that were generally more practical and comfortable, though American clothes were often considered loud and brash by English visitors at the time. American teen bobbysoxers and the British girls who copied them wore the classic youthful ponytail, cool French gamines favoured a short soft crop, and a deep fringe was worn by some, but ladies stuck to elegant but stiff structured waves off the face.
Hair could be loose and neck to chin length, or if longer gathered usually in a bun at the back of the head, but always carefully arranged. Woman shopping for hats in millinary department, Woman wearing s mohair wool hat, Times were changing, and it was no longer shocking to be seen out on the street without a hat and gloves on. But a formally dressed lady still wore short white cotton gloves for daytime, and a decorative hat.
Hats were really creative, and not necessarily designed to provide winder warmth or summer shade, but more as a finishing touch. Smaller hats tended to be set right in the centre of the head, covering the top of the forehead but not any further, and not tilted at an angle. Sunglasses had been popular since the s , but were now becoming really widespread, with women wearing them not just to protect their eyes from the sun but to look cool too.
The Kelly is a large, structured handbag, worn over the arm. These types of bags and envelope clutches in colours co-ordinating to shoes for evening were popular.
Woman weairing s striped dress and white shoes alights from car, The engineering of the stiletto shoe had just been invented in s Fashion, utilising a steel core to created a strong, slender heel, the highest and thinnest possible yet.
It was popular when added to a court shoe type shape, alongside more sturdy looking but just as high heel, kitten heels and flat shoes in the form of correspondence shoes, ballet pumps and brogues. Mary Jane Russell wearing dress by Nettie Rosenstein, The s fashion for make up was to have matching lips and nails, usually in a shade of red but coral was a relaxed, summer holiday look, and soft pink or sugar pink was for teenagers or the ingenue look.
Foundation was quite heavy, meant to be flawless, pink blush faintly emphasised the fashionable high cheekbones, and eyebrows were heavily emphasised. Lighter and fresher perfumes became more popular post-war, and Miss Dior, which had been launched by Christian Dior in was one of the top sellers.
Two other less exclusive perfumes were brought out by the make up brand Max Factor: Hypnotique and Primitif. Finally for those who still preferred a seductive scent, Femme de Rochas, a heavy, sultry perfume created in , was for the femmes fatales. The overriding jewellery look for the elegant s lady was a string, or a double string, of graduated real pearls, designed to fall to the collar-bone.
These were matched with large pearl button earrings. Big and bright costume jewellery was acceptable for daytime, and again earring tended to be quite big and round, close to the head and not dangly. Matching sets of bold earrings and necklaces were popular. Brooches were worn on suit lapels. Bracelets and discreet rings were sometimes worn, but on the whole the focus was on the head and neck.
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